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LOT
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: LOT Group: Track 41, TNB Date of birth: 20.12.1973 1986, on first contact. I grew up on the wrong side of the iron curtain, so contact with computers was limited, the first chance was the "Fest des Lernens" (celebration of learning, whatever they may have meant with that) in East Berlin, an awful event with a lot of politics in it. But there were several workshops and there was stuff of the famous socialist industry to be seen, which, at that point, was just about knocking the rotten capitalist system off with being able to manufacture competitive electronics. At least so we were told. Well, there it stood, the rising star of the East-German computer miracle: the KC 85/3. Color graphics, a separate keyboard, an U880 Micro-processor (a Z80 clone) and 16kb of RAM. I fell in love instantly. I started my own career with an Atari 800XE, an somewhat grayish import from Western Germany sponsored by the part of the family who lived there. Next was an STE, then a Falcon 030; after that machine I joined the dark side and have been there ever since. Because I was able to do it. Does anybody remember Esion on the STE? I can't remember the names of the trackers I used on the F030; I guess I tried most of them. I did some work with Cubase on the Falcon as well. There was no such module, thanks god (you know "Faust"?). "Trust and Faith" is quite good, though. I also like "Prisoned in Time". The best song I ever made was "Arabesque", but it's not a module but a "real" song. Made for "that" girl of course. She hated it. Bad taste girl, obviously. The first tree or four mods are simply horrible. Basically the whole work of 92, 93 is crap. I mean: real crap, literally. No fishing. Ahm... it supports the whole thing? But anyway, does music need to have a value? It justifies itself. Its value is simply to be there. I'd rather ask: what is the value of that game or demo thing around the music ;-) Yes. No. I mean a little bit. I try to but rarely find the time. Cool stuff. Mods? There was one whose name I can't remember. I liked most of Stax' work and of course most of Tims, (FXL of TNB), too. I've been planning that for the last ten years. The Berliner Philharmoniker, mostly. Nothing, I had an Atari. THOSE AMIGA GUYS WERE THE ENEMIES! ;-) We were always jealous because they had much better stuff. And the copper. And their version of Turrican II was -really- cool. I try to be an some events but usually fail. Ahm... yes. Please buy my books. And stay tuned. And check my website. Don't bother my wife. Observe RTR. Eat more vegetables. Did I mention the "buy my books thing? ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2005 by crown of cryptoburners ---------------------------------------------------------------------------- |
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