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doh
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Doh Group: Dreamdealers Date of birth: 29/08/1973 I just can't remind. But when I was young I have been offered one of the first video-gamer with in the end of the 70's. I used to play for hours to many sportsgames with a bar and a spot on the tv screen. After that I had a Philips Videpac with about 1 byte of random access memory! On Which you can play freedom fighters or Pacman! In 1986 (I know it's late), I bought a C64, and did lot of things with it. In 1989 I had an Amiga 500. The first thing I did with it is to run Mental Hangover from Scoopex. Very soon I tried to do music with it. Then in 1994 I bought my A1200 on whitch I typing this stuff and I did what you know with it. And recently I have bought a fucking pc k6-233 and I really actively search for a very good tracker which works with Audio-PCI card!. I don't know. I bought my A500 only in the purpose to make music with the fabulous program named soundtracker I saw on a friend's workbench. What are the reasons who make you what you are? I just can't answer. I used basically all Sound,Noise,Pro Trackers I found. My favourite is protracker 2.3b+bugfix. I use it so deep that I also composed with its bugs so I never could adapt to te serie of protrackers 3.xx, because they bug with my tunes. I also composed on chips on Sidmon, Jamcracker, Startrekker, Future composer, Thx... I also used DMC on C64. In every one I have finished. All the ones I made before 1992, and some other which are too conventional. Those which are ear-honey you can listen under your shower... In both it's really important. What a pity to play a game and be forced to turn off the sound because it's too lame. In a demo I think it's even more important than the code. For me code shouldn't be seeable. It's a pretty long time I don't compose because I don't have a good tracker on pc. My amiga offers me a sound of poor quality, and my // port is dead so I can't make any sample. But I will, be sure of that, I'm too down when I can't express my feelings and I lose trust in myself. It's quite usefull. From other people I can say : Maniacs of noise : Aspar Grand Prix or some other by laxity. From me, without hesitation I can say : Cyber Gilbert Yes I even have started to work on it, bu it takes a long time to do because I'm maniac. But the result is better than dreamed. I just have remastered 2 of my tunes : "Happy to gaze her" it tooks me about 1 month "Loading" made in two days.. Sometimes when I nerved I listen some old Metallica songs or Alan Stivell but what I listen is almost Herbie Hancock Chick Corea or electroacoustic music as Denis Dufour. It gaves me a fantastic power of artistic expression and It permitted me to meet some people who are still very good friends (It includes you...). (ed.so sweet, being romantic eh!) If someone writes me he wants a music for his masterpiece and offer me a good tracker I will do it. But I don't have seen any demo for at least one year. The danish parties has became great supermarkets and so the french ones. I will like to thanks Jackie Sardou for having hired me her set of false teeth. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2001 by crown of cryptoburners ---------------------------------------------------------------------------- |
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