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Evrimsson
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Evrimsson Group: Nuance Date of birth: March 15th 1975 I remember being 8 years old, that was about 1983. I used to stay in front of the shops staring at computers in the city. I think this was love at first sight. Computers always fascinated me. About two years later, I could persuade my parents to buy me one. My first computer was a sinclair ZX Spectrum (48KB). That machine was a great experience. I almost knew everything about that computer, inside, outside. I learnt basic with the age of 11, then I tried with pokes and peeks. Later, I tried to remove those copy protections out of the data cassettes. I have not had contact to the organized cracking scene on those times - but I cracked my first games on that computer. When you are that young, you get a complete different relation to computers, I suppose. I could hear the voices of the data coming out from my sinclair and I could tell you, what was happening. The great C64 I had seen from friends. Later following the zeitgeist I had an Amiga 500, then Amiga 500+, Amiga 600, my first Amiga 2000, Amiga 4000/20, 4000/40 and so on. The people around Amiga brought me into the demo and cracking scene. I think, I wanted to do something to make people listen, make them moving. Programming was something invisible, not touchable for other people. My parents were painting artist. That's why I maybe did not wanted to become something similar, like many children dont want to become the same like their parents. And this Startrekker (later Protracker) on Amiga gave me the feeling, that this program was meant for me. Protracker on Amiga. Later I composed on fasttracker on my PC. And with this machine and this software, I lost my mood to compose music on a computer. I have that feeling by finishing any module. But "military deadend" was a very simple song (less effects) and I think it was the most emotional module. Every module was a part of my feelings a certain point in my life. And I do not regret what I thought in the past. It is always a pleasure for me to see what I changed in my life. My modules are a kind of my diaries. Not a specific part of a demo or game is important. The interaction of any part makes the whole atmosphere: music, grafics, design... No good music can save a bad design, the same contrary. I write books now and I am freelanced journalists now. My interests changed. I study information economy in cologne now and work for zeitbank. We should turn around the question: What do I think about the modules we did? Not nowadays music is strange. The curious thing was the world we lived in the past days. What we had done was an electronic art of music. You can not compare this with ordinary music. We did not compose music. We programmed it, we edited the music piece by piece like a lunatic trying to build a house with grain of sand. Call us music programmers. Yes, it is definitely "mod.transfusion 2" by Clawz. That is a chiptune - and I could not find anyone share my feelings with that song. Sometimes you can not put your feelings into words. That is why we become musicians. Okay, now it is time to show off a little bit :) My vinyl was rated the top ten hits rated world's most famoust DJ by Sven Väth. It was reprinted three times before sold out worldwide (even in Japan). Aphex Twin, and I also like listening to Soundtracks from John Williams, Jerry Goldsmith, The Dust Brothers, Hans Zimmer, James Horner etc. The illusion and the reality: A big joy and lots of friends at the beginning, lastly ended in a big dissapointment and pain (Commodore). I do not know. This year (2002) I was about to go to a party. Somehow decided not to go. I feel tired of all this stuff, I do not feel old though. But here in cologne I love visiting the small scene meetings of Haujobb going on almost monthly. Self-confidence is the ability to feel like an original while being a copy. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2002 by crown of cryptoburners ---------------------------------------------------------------------------- |
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