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Hollywood
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Hollywood, aka h0l. Group: formerly EOC1999, Lunatics, Freestyle, Jetset, Axis. Date of birth: 29/07/75 I think I got a ZX Spectrum back in around 1984, and that certainly got me interested in computers, and peripherally in making music (though tape loading and saving made it a bit tricky!) I upgraded to an Amiga in about 1989 or so, and then started actually making tunes, firstly in Aegis Sonix (!), and then finally in Soundtracker/Protracker - I started getting involved in the demo-scene itself in 1990/91, firstly in a VERY small local group in South London called Xtasy (not the famous one ALSO in South London around at the time, crazy coincidences abound!), and then in End Of Century 1999. See above! I used to play quite a few musical instruments, thanks to my parents, including the piano, cello, and double bass, so I already had a little musical knowledge. And, since a little knowledge is a bad thing, I decided to try to leverage that knowledge into making tunes. I also did a little bit of graphics using Deluxe Paint, but to be honest, stick figures were about as good as I got :) As mentioned, I actually used Aegis Sonix for a while when I started with the Amiga, and I believe I also dallied a tiny bit in Future COmposer (classic REAL chip-music composing software!) and Med/OctaMED, but most of the time I was kickin' it with Noisetracker, Protracker, or Melontracker (mm, Melontracker!) And, once or twice, even Startrekker :P That's a tricky question, since there's probably multiple phases to my composing on Amiga - but to give multiple answers, I think I started getting somewhere with tunes like "Jarresque", did my best chip work with tracks like "Fear Of The Dark", and did the smoothest, synth-related stuff with tracks like "Wisped". With lots of complete dross inbetween, of course :P Probably my own favorite track is the weird ambient chiptune "Space Hulk", which was in the The Party 5 intro which Stelios coded, but I'm not sure why - a little atmosphere goes a long way, and one of the Sonik guys said he dug it, I guess? Plenty of the raucous chiptunes are a bit much for me, especially my cover of "Popcorn" - was that really necessary? I think not! Music in demos and games are VITAL - they set the mood, and it's a whole sense that's otherwise neglected :) Actually, I completely stopped composing in about 1996. Which is a shame, but with my work and running the net.music.label (formerly .MOD label!) Monotonik/Mono, that's plenty to be doing without trying to get all creative and composer-y, too. But I may pick up a Gameboy and LittleSoundDJ and have a hack at some tracks, one of these days.. maybe.. :) The advent of the mp3 has been a blessing for free music online, but a curse for the poor old .MOD. it's still been worth it, though, to see better reproduction of ALL kinds of music, not just computer-driven tunes - organic sounds can come back again :) Well, as far as .MODs go, there's so many! "Banana Split" by Dizzy, "Florence" by Audiomonster, "Tubular Vectors" by Delorean, "BST" by Bruno, anything by Heatbeat - and that's just a fraction of them. my 'MODs In Memoriam' site at http://www.mono211.com/st-00 has plenty more. I'm afraid not - my stuff worked as it was at the time, and it's archived on the 'MODs In Memoriam' site, but.. onwards and upward, people! how many remakes of things have actually been any good? if the original was any good, it was good AS the original! All sorts of rubbish, I'm afraid. Anything from Idlewild, through Gorillaz, Ulrich Schnauss, Coldplay, DJ Rupture, and so on to infinity. Lots of pleasure in nostalgia and 'wow, that was AMAZING given the restrictions' action. And lots of creative people who blossomed out of the scene to make careers out of being good at.. hacking up stuff :P Kinda, in that I run Monotonik, the net.music.label which has a lot of links to the scene, since it releases a lot of ex or current-sceners (Lackluster aka Distance, Vim!, Mosaik aka Radix, Aleksi Eeben aka Heatbeat, and LOTS more..) Otherwise, I still check out demos - they're not as relevant as they used to be with the advent of FMV, amazing game-based 3D engines, and all that jazz, but.. they're still cool :) Hey to everyone who knew me on the Amiga scene and knows me now. You ALL rock. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2002 by crown of cryptoburners ---------------------------------------------------------------------------- |
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