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Howard
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Howard Group: LSD Date of birth: 6th may 1976 About 1984, I met a guy (well, kid then) 3 year older than me with a Commodore 64. It was mostly the games at first. Sinclair ZX Spectum 48kb, Commodore 128, Amiga 500, Amiga 1200, Amiga 4000, Pentium 1 133mhz, AMD Athlon T-Bird 600mhz, AMD XP1800, Intel P4M 1.5ghz. I started out trying out games on the Spectrum, but within half a year I got bored and started programming in basic. Aroug 1987 I discovered Master Soundtracker 1.0 on Amiga 500 (I still had C128 around that time, didn't get my first Amiga until '91) and started making music which I guess was my reason for entering the scene later on when I got my own Amiga. Music was my way of expressing myself. If others ended up using it, so be it. :) But I did do coding as well, it's just that none of my intros ever got to a releasable state. :) My ProPruner music replay did, however. Master Soundtracker 1.0, Noisetracker 1.0, ProTracker 1.1b - 3.43 (most of the versions between), Futurecomposer 1.4, Octamed Soundstudio 1, Renoise. I never did, but "Cucumber boogie" always was one of my favourites. I've started a 32-channel 16-bit remake of it in Renoise, but it's still far from complete. I don't remember my worst ones luckily. :p I had a harddisk crash in '96 in which I lost most of my early works. Like it is in movies. It sets the entire atmosphere. Just try watching or playing with the music off. It's dull. I am for leisure purposes, but it's getting rarer and rarer. I guess coding got the better of me. Tracking to music is like radio amateurs to communication. It has no practical use today, but from time to time it's fun to do things the old way and get your hands dirty. :) If you're making music for a listening audience mp3 is the convenient way to distribute your work, but for other musicians it's nice (and extremely educative) to be able to see the structure of the song in a module. However, with Renoise (my tracker of choice) you'd have to have the exact same VST plugins as the composer in order to reproduce the sound. Too many to count, and too long ago to remember. My favorite composers was Nuke of Anarchy, Tip&Mantronix, Heatbeat and Walkman of Cryptoburners. No. They weren't THAT good. :p Freak power, Tower of power, Pink floyd, Steve Morse Band, Melissa Etheridge..... Nothing really. I did my work pretty independent from the scene. I didn't get that much release, and that wasn't my goal either. No. No. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2005 by crown of cryptoburners ---------------------------------------------------------------------------- |
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