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Looza
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Looza Group: Tokyo Dawn Records Date of birth: 1977 1985 or something, on a KC85-4, which was a Computer from the former GDR (east-germany), a machine which had Basic and a very crippled Z80 ASM language. KC85-4, 85-91, learning to code with Basic, ASM and Turbo Pascal C64, 91-95, making Music and GFX PC 95-today, music and a few gfx I am still doing gfx sometimes, and coding ... well, I am still a "theoretical" coder, trying to solve coding problems in a theoretical way. Some friends of mine are studying Programming and they describe their problems and I try to give them the direction to the solution. Apart from that, I just could not keep up with all those new languages like C++ and such, its basically too complicated to me. The fact is that I am good with music, but in coding I would just be another of the usual. Alot of people can do it better than I could, so I saw no point in sticking to it. FT2, then changed to madtracker 2 and now I am using renoise, which is the first program ever which fully suits my needs. linking worlds (released on tokyodawn) there is some very bad old stuff, but this was basically because I just started making music. Except from that, I can still listen to all tunes I ever released. Its like the soundtrack to a movie, if its good it may seem to be not much, but if its "wrong" in any way, you will notice it at once. I am still composing, couldn't do much in the past, but this will change in the near future. Not really professional, I am just doing my music, but earned a few bucks here and there with it. I am not composing to make money, but if there is a chance to get money without having to make sacrifices and changing something in my music, I am fine with that. Well, I go for ogg. I am not the one who desperately wants the sourcefiles of a track, because I personally cant stand the limits this brings, music itself has progressed very much in the past and if you still hang to FT2 and XM-Files you simply cant keep up. I dont care how a music was done, it has to be good. Its most of the stuff Krii/Tokyodawn did and does, he always amazes me. Apart from that, a few older Modules are banging in my mind, because at the time I heard them they were so incredible that I cant forget them, stuff like a s3m called deesbab, I dont know composer or title. Also some musics from old 64k intros did kick my brain out at that time, just because they could do incredible drum and bass tracks with 12k samples, but I cant name them because they only work on a GUS and I deleted them long ago. Also a song I will always remember is "listen and learn" from mitch and dane on C64, they presented it at a "The Party" in Denmark (93 I guess), and it was lightyears ahead at that time. I stood in a small crowd of about 30 C64 composers (all very respected people) when we all heard it for the first time and after it had finished no one could say anything for a few minutes. Yes, this is currently planned. currently I am mainly into 70s jazz/funk, also the prog-rock of that time, today's hiphop, some electronica stuff, drum&bass from 93-98 ... I actually dont have any favourates, I try to listen to anything which comes around. Keeps my mind open. the C64 scene ... well, to be fully honest, it gave me the feeling that there are places/scenes in the world where you are judged by the things you do, not by the way you look and dress. This was really great for me. You could be a 12 year old, thin, with glasses and loads of pimples on your face, but if your music kicked ass you got respect. Also a few friendships evolved there just on the basis of having the same computer and doing similar things. Kind of, I watch demos irregularly (basically because my PC is too slow for the state-of-the-art stuff), but I am still member of tokyodawn and we belong to the netlabel-scene, which did evolve from the demoscene. I would really like to greet all the people I met and all those people who just stunned me by the things they did. It may have been a demo, or a music or anything, but the point which kept me stuck to the scene is the fact that you quite often get these "open-mouth"-moments, moments in which you are totally stunned by the thing someone did, moments which have magic in them because you just happen to see/hear something you never did before and never thought would be possible. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2003 by crown of cryptoburners ---------------------------------------------------------------------------- |
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