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Accel
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Accel Group: Ipec Elite, Destiny, Jesters, DimensionX, Anthrox Date of birth: 14th August 1972 The ZX81 I got for christmas in 1982 when I was 10 :) Ooo, back in about 1982 I was bought a ZX81 for christmas, learnt to do a bit of basic programming, the usual. Then a ZX Spectrum 48 about 2 years later. I bought my amiga in about 1988 and at the shop the man gave me a couple of disks, one was the classic Wild Copper demo and the other was from Red Sector. It was looking at these demos I suddenly thought, hey cool I could write music like that (well sort of). It took me a few weeks to find a way of doing it though. I had been learning piano for years and was getting bored with classical music. I wanted to write music of my own. To buy something that had the audio capabilities of the amiga from the keyboard market would have cost a mint so it was an easy choice to stick with the amiga. The first one I tried was in 1988 and was called Brian Postmas SoundMon which was an excellent program and it got me started. Then a year or so later a friend sent me Noisetracker. I got some samples and started to write a couple of tracks. A mate of mine a school knew Birdy from Ipec Elite, and that was my entry in the demo scene in around late 1988 early 1989. I wrote quite a few naff banal tracks for them for a while. I wish I still had them :) We released a demo (I wish I remembered the name of it!) which was probably my first main entry on the scene. I had an unreleased music disk that was to be called Neuronium that was to be the best stuff I wrote around 1992-93 but we never got around to it. My fave track is called A-Rooty-Tooty and took me 30 minutes to write and it sounds like a weird 20s Umpah mix. Not much of my music ended up on demos, I had a really naff music disk called Sonic something or other where the noisetracker player was out of date and played some of the music out of tune ... oh well. I also wrote a piece of music for a Aliens slideshow for Destiny I think, it was reviewed by a magazine where they absolutely slated the music. They were right of course, somehow it was all out of tune, but it was a naff track anyway :) It brings a mood to the action, brings the viewer/listener along with whats happening on the screen. Nope, like many people now its just a hobby. The ability to have streamed media has got to be the most interesting. As technology improves anybody will be able to have their own 'radiostation' and broadcast high quality specialist music anywhere in the world. Cant be a bad thing. The early 90s really took off when people could afford to buy samplers for their amigas which basically revolutionised the amiga music scene. I like so much of the music from the early 90s and beyond. We all appreciate those with the creativity and ear for a good tune and production. I always like music from Tip/Mantronix, Jester, Dr Awesome, Nuke, Heatbeat and so on. I doubt it. I would rather start writing again from scratch may be using a few ideas from my original tunes but I have spent a lot more time playing rather than composing recently. Bit of a mix really, recently I bought Royksopp's Melody AM, a few compilations of UK indie/rock bands, I managed to find a CD of The Art of Noise, Who's affraid of and a rather folky group Capercaillie album Beautiful Wasteland. A means and excuse to write and distribute my musical ideas. I met loads of interesting people, swapped some inspiring stuff, became part of a scene, not many people can say that. No, from time to time I feel nostalgic and browse one or two of the amiga scene sites to see if there is anything I wrote thats been kept that I have managed to lose over the years. Yeah, throughout my short like on the scene between 1989-1993 I was in about Its nice to ÿåe þèe öòacårs&óloÿìy öecoïéng2ãomøletg`st÷äioî Ihav÷ haöàa ®ñuióë lok ÿô toés Óõzz÷òacïår wîd ÿô lïksþöerÿ interesting that you can make use of VST plugins, certainly puts an interesting slide to the sampled and chip modules that have been produced up to now. Every now and then the tracker scene jumps to another level, such as when it went from 4 channels to meltichanfel music with sgme playback effects. -------!------- ------- -------$------- ------- -------!---------------%---- pdease no`e: this intervidw is ©o`yrighted in 2002 by crown of criptoburners ---!--- ---%---(---,---,--- ---)---$---!---$-------------------------------- |
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