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Melomaniac
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Melomaniac Group: None Date of birth: 25-01-74 I think around the release of the movie WarGames actually. Must've been the beginning of the 80's. I started with an impressive 2k memory Marathon (the same as ZX81). Then in '84 or something I got enough money for a C64. The C64 I used, of course, for gaming, but I got interested in demos (crack-intros, more likely) then, and did my own at some point using a combination of Basic and ASM, mostly with ripped routines etc. Rob Hubbard and other game musicians really was what attracted me most to the C64, always looking forward to hearing the music when I got a new batch of games. In '87 I got the amazing Amiga 500, then later the A1200 and the A4030. Now I am unfortunately using PC's mainly, but I still have my A4030. I've been interested in music, going to a heavily musical school, singing in Copenhagen Boys Choir there etc., from the age of 8 or something. Then I got interested in gamemusic/computermusic, then films and filmmusic. I guess it was pretty natural that I didn't end up doing gfx - I'd suck at it. Just take a look at my homepage for proof. In '87 I started off with DeluxeMusic on Amiga, then Aegis Sonix. The first trackers arrived around that time I guess, but they were very bad in the beginning. It was not until MED and OctaMED came out that I started doing tracked music myself. That was in '92 or so. A did a module called "Resolution" for a Danish computer party in 95 I think. That was the first time a mod of mine was played for a crowd. Since I'd always been interested in filmmusic, doing the module "Twisted Cinema" a year later was probably more fulfilling in many ways since it was in that genre I loved from the 'real world' of music, orchestral, symphonic music. Yes, I did a tune which I ended up calling 'Unimportant". It was a bad module, and I named it accordingly. I did most of it at a partyplace, and I knew it wasn't very good but decided to release it there anyway. In demos it's not as important as gfx and code. But it can still add a lot of atmosphere and enhance the experience through timing events nicely. In games I think music is very important. Just as important as music is in many movies. Unfortunately gamedevelopers don't always agree it seems. Yes I am composing, solely using MIDI equipment nowadays. I am doing some music for Amiga-games and may want to try a PC game one day if anyone allows me to. The best experience I've had composing was working on the music for an intro animation to the Amiga game "Genetic Species". I think I prefer composing for pictures - music that has to follow what goes on on the screen. So I'd really like to do that again. Mp3 is a nice format - that way I can send ideas to people without having to snail-mail a CD or send them a huuuuge file. I have no particular preference for other formats - when I mix my music all files are in .WAV, but that's just the standard on PC. MIDI files are pretty bad because they are generally limited by a soundcards MIDI synth or other standards for instruments. I have been a huge fan of Jogeir Liljedahl since I accidentally got his musicdisk "Dizzy Tunes 2". Everything Jogeir is good, although not always original. Also his XM's, from the musicdisk "Ambrozia" are very impressive. Apart from that I'd say the most impressive music is games music on C64 and Amiga mainly by Maniacs of Noise and Rob Hubbard. Not really - if I do a CD it'll probably be with all new material, but I don't know.... Most of my 'professional' (MIDI) music can be found remastered on PC on my homepage. I have a very limited taste - at least as to what I BUY. Generally I buy stuff like Enigma, Enya, Mike Oldfield, Air and everything by movie composer John Williams. I listen to other things too of course, and I also like some types of techno etc. It gave me some people to share my work with. It gave me a chance to get recognised for what I do. I guess it's the same as a professional career: you want to have fun doing what you enjoy, and get happy when people recognize you for your work. At least that is how I am. Not really. I am supposed to do a couple of more MOD's early in 1999, and I am anxious as to how that will turn out since I haven't been tracking for more than a year. Cryptoburners! I loved the music by Rhesus Minus, namely Daisy Chain 2. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2001 by crown of cryptoburners ---------------------------------------------------------------------------- |
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