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Munster
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Munster Group: Spreadpoint Date of birth: 1966 A friend of mine bought himself a Commodore VC 20 ... so I had to do the same. It was in the year 1982. Soon the games that were delivered with these machines were boring, so I started coding my own ones (with character gfx ;- )) ). That was when my computer and programming interest started ... Oh ... previously I had a bicycle (its also a machine ;-)) ) and some kind of a early game-console, where you could play ping-pong and such simple, but funny games. Missing talent and no more time ... I had to do another job at Spreadpoint ... Hrrgl ... I don't remember exactly ... I think we composed the melody on keyboard an I guess we played it in with Steinberg s/w. There were only two, the one from the green ground demo and a little bit of the X-Large Music ... some parts of green ground are pretty nice ... All kind of this shit american Soft-Pop-Music. We have our own musical culture in Europe, we do not need this McDonalds-Sound. Great ! It transports the emotions, the high-feeling. But it should match to the goal of the demo/game, more mystically or more heroical or what else the demo/game is about No ... but I greatly enjoy good remixes of old Computer-Sounds .. Hmmm .. in general I think it's a good thing. The great advantage of this possibility to electronically compose and distribute music is a social one: music becomes democratic !! Almost everybody is able to compose his own tunes and everybody is able to access almost every track he/she wants to hear. That's a new and a great achievement ! The disadvantage is that, if everybody produces music, there's a lot of shit around the net and it is really difficult to find the good tunes or the ones that match your taste. A second disadvantage is, that some formats (i.e. mp3) cut some frequences so that you hear a slight difference between an old analog record and a mp3-tune. Yeah ... Parallax (Thx to THC Flatline for the GREAT remix .. still searching for your super extended version ;-)) ) Of course some of the older Techno-Tunes, i.e. Nikolai / Ready to flow (RMB remix), Quench etc. In the classical area Philipp Glass, some soundtracks, i.e. Koyaanisquatzi, are great ! And the "tunes" of the best composer of all time, J.S. Bach !!! :-))) I instantly create audio-Cd's, but only for private use ... No bands ... the tunes I mentioned before ... if you go to the Pop-Genre, ATB is at the moment one of the best ... freedom Hmm ... not any more ... too much work and who does nowadays know Spreadpoint?? Best regards to all Spreadpoint-Members, also to our local Scene here where I live (MatInc and Django) and to all the people who lived in peace together in our virtual world (Tobi of Haujobb). One last word: I wish the scene could become ONE power to free the world. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2002 by crown of cryptoburners ---------------------------------------------------------------------------- |
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