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Smash
Interview
`n. .rP' `qb ,dP' TLb. ,dMP' all rite, now you get the chance to read TML.dMMP some facts about some of the major amiga ,nmm`XXMPX musicians. read about their history in ,#MP'~~XNXYNXTb. the scene and their plans in future.yes, ,d~' dNNP `YNTb. that's meant to be read while listening to ,~ ,NN' `YNb their modules. read 'em over and over and over.. dNP `Yb. ,NN' `b. · i n t e r v i e w · ___________ ______dP _____________ \ / \ ,N'\____ _____________. _____ \ \_____. ____\ / \___P___/ .\--\__ __/__ |--\____)---\ _____/__ |--\_ \ _/ | | | \ | | \__| | _ \ / | \__| | /\ | | _| | | _l_ | | \ / _l_ | ___| l___/=l___|====l____/===\______|==l______|\ /l___/===\______l____/ \/ Handle: Smash Group: Razor 1911, Theralite, Jecoute Date of birth: 30/08/80 probably when my dad brought one home about 1988. we got a pc in 1991 (a 386! wooo), and that was where it started really. my friend had an amiga before that though and i played with that a lot. a 386 in 1991, then a couple of 486s, a p120 and now a k6/2 400. i never had a c64 or amiga or anything like that =) i really wish i hadn't missed out on them, especially the amiga. when i was about 14 i wanted to try and make games and stuff like that.. so i tried coding (in basic), i was shit at gfx, tried a few raytracing and pixeling things but i didn't have much luck with it, and i wanted to do sound too so i tried this thing called whacker tracker, playing with mods by u4ia and stuff like that. This was in 1994. The program sucked though =) then i got st3 in 95 and started making stuff, spending a lot of time tracking. i gave up on coding, gfx etc.. i guess i just liked tracking more. after st3 i got ft2 around the end of 95 (because st3 didn't work with my new soundcard). and this was much better. i still use it to track everything. i also use soundforge and wavelab for sample editing, rebirth for making some sounds, and loads of plugins. i don't think i have yet =) and i don't think i will, it would be very sad to do it.. there would be no point carrying on with it then. every time i do a tune, it always ends up uncovering things that would be cool to use in the next ones, and i always end up thinking that a tune i thought was great has loads of things that could be better. loads. =) probably my ones from 96 that were entered in trackering compos, and the ones i uploaded to hornet archive and shit like that, some of them were really bad. i think that those tunes meant that some people who remember me from back then might have a bad view of my tunes based on those. i had no musical skill whatsoever back then. =) i think music should be half the demo. if it's done right, it's very important.. it's part of the art of the demo. if a demo is often like a music video, the music is obviously going to be important. in games, it adds to the atmosphere of course. still doing it just for fun. i want to go pro one day, but lets wait and see.. mp3, well, it means you can process/mix the sound and make it sound better, and it's good if you do huge tunes. but there's no point just taking a 1mb xm and mp3ing it. of course you can release mp3s of non-tracked stuff too or mix the two, which is cool. midi, i need to learn it. i'm slowly getting midi gear - synths, fx etc - and i will have to start using cubase or something eventually (when i get a sampler). yeh.. alternative samba by dizzy, amazing samba guitar tune the guy is just pure talent. i really like a lot of his other tunes, especially just for blues, fanatic waltz, the polka ones =) .. coverup by spaceman (nuke), cool funky stuff. he's another of my alltime favourite musicians, he's done so much brilliant acidjazz. metroplex by necros, also orchard street by him too. he's got a lot of musical knowledge, i respect that a lot. last train by dune - i always thought dune was better before he went all ambient/experimental.. waypoint rules too. i like cybelius's assidge disks too. of the newer released stuff, i love radix and loonie's chiptunes, and i like krii's house tunes a lot, he has the groove worked out great. the guys in tdr are doing great work. maybe one day i hope to make a cd but it'll probably be new tunes, maybe not tracked stuff. i'm not going to try and sell a cd of my tracked tunes as some guys are doing now, there's no point.. the stuff was done to be free, it'll stay that way. and i wouldn't buy it, why would anyone else? =) when i have loads of gear and shit to make the tunes with, i'll do it. always listening to jamiroquai. also getting into house stuff, fatboy slim, basement jaxx, armand van helden. i like radiohead a lot too. a lot of great musicians and tunes =) i was never really a part of it, unfortunately. but the stuff that was produced then, i learnt a lot from it and i still do. i guess a lot of others do too. yeh, very.. doing stuff for demos for razor1911 now, we won dreamhack 99 with mindstammer and there'll be a lot more from us this year. i'm tracking for theralite musicgroup (although the group looks to not be that healthy), and tracking for jecoute, the jazz musicgroup i kindof run. also doing a lot of guest tunes for all sorts of groups and productions, so you might find me popping up all over. check out my webpage. =) and download my tunes. cheers. ---------------------------------------------------------------------------- please note: this interview is ©opyrighted in 2001 by crown of cryptoburners ---------------------------------------------------------------------------- |
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